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Kissing Kenneth Okonkwo Was Awesome –Chizzy Alichi



1391789_662599773758710_500519944_nFast rising actress, Chizzy Alichi, tells Ademola Olonilua about her career and how she handles male advances

How did you get into the movies
I have always wanted to be an actress. One day, I was passing by and I saw Actors Guild of Nigeria banner at New Berries Park, Enugu, I went in there and made some enquiries. The next day, I registered and started going for auditions. That was in November 2010. I got my first role the same day I went for an audition.

What was the title of the first movie you featured in

A female friend informed me about the audition, so on getting there, they were almost rounding off. When I got there, the director called me and they auditioned and casted me immediately. Though I was so nervous because naturally I am a very shy person, I tried my best to perform well. They gave me the role principally because of my height. The title of the movie is Magic Money. I was paid N6,000.  I acted alongside Mercy Johnson and Bob-Manuel Udokwu. I was so happy, nervous and excited.

What did you want to become while growing

I have always wanted to be an actress. I used my lunch money to rent films and would stay hungry. I didn’t allow my shyness to hinder me. I was so determined that I even started working on myself like staying in front of a full length mirror to rehearse and also in front of my friends.

What was the experience like playing alongside such big names especially Mercy Johnson
It was a dream come true; it was awesome. I was so nervous and also happy. I couldn’t sleep when I got home because I kept wondering that just after my first audition,  I could be given a role after a week of registration. I really thanked God.

Are you still a shy person

Yes and no. When it comes to the camera, I have built myself around it. I’m no longer shy because I love acting. I do it with passion. But when it comes to my personal life, I am still a very shy girl.

What is your New Year resolution

Well, my New Year resolution is to be a better person and render more help to people and above all work very hard to be a better actress.

What are the challenges you have faced as an upcoming actress

My main challenge has been my education. It is not easy to combine school and acting. Most times, when I have very important things to do in school I will forget about shooting for some time. I will be graduating this year by God’s grace and I will have all the time in the world to shoot movies. There hasn’t been any form of sexual harassment. I have never experienced it. School and time are basically the challenge.

Lagos is the entertainment headquarters of Nigeria. How has it been for you based in Enugu? How do you handle travelling to several places for shoot

It has been good because I school here and most Nigerian movies are being shot in Enugu, Owerri and Asaba. But I will move to Lagos once I am done with school. That’s what I enjoy most. Travelling is one of my hobbies. It is fun, going to new places all the time, meeting new people and their way of life. There is always a story to tell.

How was your first kiss in the movie

I have done many kissing scenes with different actors. My first was with Kenneth Okonkwo. It was awesome because I have always admired him; he is my favourite actor so doing the kissing scene with him was great and as a professional and nice guy that he is, he carried me along very well.

What is the most challenging role you have acted so far, what did you go through

The most challenging role I have acted was the role of a wicked girl who later went blind. It was so challenging because I have a smiling face and I am always smiling. I am also a very quiet person. I had to come out of my shell to do the role. I had to frown a lot and shout at the top of my voice. Also, I had to research on how the visually impaired walk, look and behave in order to interpret the role very well.

How come you are studying Agricultural Engineering instead of Theatre Arts

I was good in science subjects back in my secondary school days. But I have passion for acting. Not everybody that reads Theatre Arts are actors and actresses. It is all about passion and determination, although I will still further my education in that area.

How did your parents react to your acting

My parents are very cool and supportive. They encourage me a lot. I am so grateful to them. Although my elder sister wanted to discourage me, they told her to allow me follow my dream. They are the best.
To rise fast, can you do a pornographic movie
Never. I can do any role but I can never go nude or act pornographic film. I want to be a good role model and I will marry someday, give birth to kids. How would they feel to see their mother act such a role? My parents support me but not when it comes to pornography. I can dress very sexy, extremely sexy to shoot a movie but not nude or be a part of a pornographic movie.

How has it been getting ‘toasters’ as most men find it difficult to approach tall girls

Actually, most men love tall girls and there are many toasters everywhere I go. Even mere seeing my picture or watching my movies, I get admirers. Most men whether short or tall like tall women. I have heard guys saying ‘she is very beautiful but she is tall’.

How often do you encounter male admirers and how do you handle them

I encounter many on a daily basis unless I don’t go out. I decline politely because I am not a rude person and at the same time, I can’t accept them all.

With your height, are you a lover of heels? Do you wear them at all
Yes I do. I bless God for my life and body. He did a wonderful work. I wouldn’t want to change anything on my body. I love me. I love heels but I am not a heel freak. I just have a few for shooting occasions. I love wearing them.

Do you get preferential treatment from school mates and lecturers because you act? How do they relate with you

Yes. I get preferential treatment, in the bank, shopping malls and school. Most of my fellow students don’t object to my decisions and are always happy to help me with school stuffs. My department is somehow popular and respected because of my acting. At the same time, I can’t misbehave like cheating or have somebody writing quiz for me because I am known. I have to be present to do it myself most times.

Are you in a relationship

Yes, I am and he is not a student.

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Forbes releases list of 20 highest paid rappers in 2019



US rapper, Kanye West has been named the highest-paid hip-hop act of 2019 in a list compiled by global entrepreneurship magazine, Forbes.

The 42-year-old mogul earned a pre-tax income of $150 million in the year under review, the majority of which comes from his Yeezy empire, a partnership venture with a popular footwear giant.

For the first time, Kanye West out-earned his close ally, Shawn Carter, also known as Jay-Z, who ranks second on this year’s list with $81 million.

Drake, who amassed a fortune with his chart-topping album ‘Scorpion’, rounds out the top three with $75 million, while Diddy takes the number four spot ($70 million), following his deal with Diageo’s Ciroc vodka.

The ladies are also holding it down. Nicki Minaj places number 12 with $29 million, while Cardi B is on her heels at number 13 with $28 million.

The top 20 acts in hip-hop earned a combined $860 million, up 33 per cent from $648 million last year.

Forbes’ Highest-Paid Hip-Hop Acts of 2019

1. Kanye West – $150 million
2. Jay-Z – $81 million
3. Drake – $75 million
4. Diddy – $70 million
5. Travis Scott – $58 million
6. Eminem – $50 million
7. DJ Khaled – $40 million
8. Kendrick Lamar – $38.5 million
9. Migos – $36 million
10. Childish Gambino – $35 million
11. J. Cole – $31 million
12. Nicki Minaj – $29 million
13. Cardi B – $28 million
14. Swizz Beatz – $23 million
15. Meek Mill – $21 million
16. Birdman – $20 million
17. Future – $19.5 million
18. Nas – $19 million
19. Wiz Khalifa – $18.5 million
20. Pitbull – $18 million

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MAJEK FASHEK: Before The Rain; What Happened To The Mystic Man?



The road to Majek’s passages through Nigeria’s music business which turned the music scene into his freeway of love, affection, turbulence and troubled soul, was constructed the late seventies. By the end of the seventies decade, Nigeria’s pop culture was saturated by musicians seeking fame, fortune and to a few extents, misfortune and nightmare, through the funk-influenced genre of music. In 1979, the Eastern Nigeria based psychedelic funk band, Sweet Breeze, a rebrand of the 1960s and early 1970s funk band, Fuel For Love, charmed our music world with a monumental single hit, BEAUTIFUL WOMAN, from its late entry as a glass of new wine from an ageless bottle- album, CLOUD NINE.

By early 80s, Dizzy K Falola, Jide Obi, Felix Leberty, Sweet Breeze, Emma Dorgu, Nelly Uchendu, Dora Ifudu, Oby Onyioha, Stella Monye, Kris Okotie, Late Christy Essien Igbokwe, Onyeka Onwenu, Sonny Okosuns, Fela Kuti energized Nigeria’s emerging popular music industry. These were some of the happenstances in the Nigerian music scene until a strange mystic man arrived from Benin City, with his cousin, Amos McCroy, great guitarist, musician and a wicked drummer, creative artist spiritualist named Black O Rize. Jah Stix’s formative years were spiritual, interspersed with music and sermon. The platform was eccentrically blended into the Aladura church in Benin City. Majekodunmi “Raji Canal” and Amos McCroy were members of Aladura Church sect. They also belonged to the Church choir.

Every Sunday, Majek and McCroy joined the Aladura choir for songs of praise to Jah Jehovah. McCroy remembers:” That was how we started. We were in charge of the band. I was a bass guitarist and Majek was the choir’s trumpeter. Later I taught Majek the guitar picks”. The cousins backed other aspiring artistes with their music demos or live performances within Benin City. They slowly built a reputation as great dependable session musicians: that trust and reliability took them to the doorsteps of NTA Benin where they were featured as members of an in the house band for the live and lively weekend music program, MUSIC PANORAMA.

Music Panorama, produced and sometimes anchored by Late POGO LIMITED frontman and great musician, Pat Finn, was a successful and popular live music program which aired every Saturday evening. It featured aspiring artistes in concert with breakthrough national artistes such as late Sir Victor Uwaifo, Emma Dorgu, Kris Okotie, Emma Ogosi, Osayemore Joseph, Sonny Okosuns, Sweet Breeze, the Benjof Majic feet dance ensemble, Rigo Ariyo, Steve Black, Late Jake Solo, Remmy Pearl.
Majek and Amos met Black O Rize at the settings of Music Panorama program. Rize, a dark fearless down to earth athletic built artist and drummer, returned from New Jersey and was burning with artistic creativity.

The quartet quickly jelled comfortably with each other, musically and personally. Months after the meet, they agreed to form a music band and planned relocation. The trio instrumentalists needed a name for their new band. So, RAM BAND was formed from the initials of the three members: Rize, Amos Majek. Majek was in search of an identity. He had been influenced by the Indian pop culture penetrating our entertainment industry.

The effect of the Indian pop culture manifested in his chosen identity then: Raji Kanal.. But when Black Rice finally met Majek, he encouraged him to change his name, abbreviating his first name ( Majekodunmi) and his last (Fasheke) to create an everlasting identity: The suggestion birthed: MAJEK FASHEK.

Majek Fashek found an identity. Amos McCroy and Black O Rize embraced their roles in the band, RAM. Something else was missing: Benin City scene was becoming too repetitive for a young band destined and ready to explode. Majek Fahek came into the City’s entertainment scene with an Indian influenced character, RAAJI KANAL. He left as MAJEK FASHEK, accompanied by the new Ital group: RAM!

The reggae Ital , under RAMS Band, relocated to Lagos with other new members: Dennis Cecilia joined the group in Lagos. He later left to run his mother’s flourishing restaurant and never returned. George Orwell, the classic keyboardist, Charlie Fyhn, another wonderful keyboardist and Sammy, an amazing guitarist. Sammy too did not last: he left for France after a few months with the band.

The composition of the group expanded as new personalities were added. The band was beyond RAM. It then sought to change its name to accommodate other members and be universal ideally and appealing. Several suggestions later, the group settled for JEHOVAH’s WALKING STICKS, abbreviated: JAH ‘STIX. Jah Stix became the first reggae band in the history of Nigeria’s music. The name was entrancing and infectious.

Jah Stix’ arrival into the Nigerian music scene was expected: They were young, hybrid bohemians, studious road warriors, masters of their musical instruments and fantastic songwriters with Jehovah’s spirits.. It instantly settled into the sizzling Lagos music scene, secured regular gigs at Hotel Bobby Bensons popular club, Caban Bamboo, before it became a permanent Club’s band. The personalities were outspoken, brilliant and always lightening up the social scene with their demeanors..Jah Stix’s messages were laced with political poetry, a call to action: haters of the republic and system.

Jah Stix members were also free spirit radicals ready for the world. Its music became the voice of the disenfranchised Nigerian youths. It was a different norm from the then conservative Nigerian music scene and performers of their era. These were new dreadlock guys, great instrumentalists and singers with provocative and profound songwriting skills.

The protest and conscious music of Jah Stix was an added flavor to Fela Anikulapo Kuti’s polyrhythmic afrobeat music crusade. Fela had not only found a group marinating in afrobeat lifestyle and philosophy, but also found young comrades, additional protest voices through the power of music, expressing and exposing the sufferings in the land. Jah stix group became the new crusaders for social justice and equity. Its performance was always electrifying and defining, poignant, sassy and sweaty. Its philosophy of life was orchestrated and anchored by Black O Rize, the spiritual and ideological guardian. . Black tells this better: “I was the spiritual and ideological leader. Amos was the musical leader while Majek was the lead singer of the Reggae Itals as we were known. I refused to be called a band. “

Jah ‘Stix reggae Ital was a clean free spirit doctrine fronted by MAJEK FASHEK, a skinny handsome sexy guitarist, brown, smooth and sensual toned African skin, flavored by his enchanting stage swagger and cute flirty smiles, emulating his guitar idol, Jimmy Hendricks. Amos McCroy explains:” Jebose, Majek was of a Bob Marley and Jimmy Hendrix creation, Black was of Dillinger and U-Roy personality, while I was more of Peter Tosh and Gregory Isaacs. So we had to fuse all these personalities together.. Black was the organizer. Majek and I were the music directors. Our relocation to Lagos changed the face of the music industry. We were involved in every known music project then.

I counted over 86 recording projects we were involved in both as a group and as individuals. There was Terra Kotta”s 2nd album, we did something with Perry Ernest, The Mandators, Ras Kimono, Orits Williki, Late Isaac Black, Late Best Agoha, Marshall, Evi Edna Ogholi, Andy Shureman, Walka Inni Kamanda from Kano, Lemmy Ghariokwu & a host of others ..We were kind of tired and being frustrated by the “shitstem” and so decided to do something to ignite a change musically. I am glad our little contributions
went a long way in the then music business”…

Majek Fashek was also hired as the Resident Artist and repertoire manager for Tabansi records. Few months after his employment, Tabansi signed him on as a SOLO artist. Amos McCroy freelanced at Tabansi records as a session man and assisted with demo production for future artists and musicians. Jah Stix Reggae Ital was busy in the Nigerian music scene beginning 1985.. Tabansi records saw the potentials of these young musicians and decided to sign them onto the record label, as a group.

The signing ceremony was a mega bash at the then Winas hotel, Ikeja. The Nigerian music scene was about to be captured by a protest political music movement, lyrics and social engineers with anti-establishment messages and attitudes.

In 1988, Majek, backed by Jah stix reggae band recorded his solo debut album, PRISONER OF CONSCIENCE, for Tabansi records. The release was delayed for one year. Amos McCroy captured those moments thusly:” We were told then that Chief G.A.D Tabansi, the Tabansi Records boss, traveled overseas for medical treatment. He stayed for almost two years and that delayed the release of Majeks work. We were also frustrated as a group just waiting in vain for our own work to be released. We wanted out of our contract and needed to move on”.

Meanwhile, inside Anthony Village, a new sophisticated record company and studios came alive: Japex Records and Studios made a sophisticated entrance into Nigeria’s music recording business with its new state of the art studios: Japex became an attraction for new, aspiring singers and musicians to visit this new home of sounds. Black O Rize was great friends with owner of Japex, Frank Eke: “Frank and I go way back, so I convinced him of the band and he signed us onto his label.” After years of waiting for Tabansi records deal to manifest, Jah Stix Reggae Ital group signed onto Japex records. Majek remained as a solo artist under Tabansi records, awaiting the release of PRISONER OF CONSCIENCE.

Jah ‘Stix recorded and produced four albums for Japex records. The finished products also coincided with the release of Majek Fasheks solo work for Tabansi records… The group felt it was bad for them to release an album as a group under Japex records and Majek, released his the same time under Tabansi records. It agreed to protect Majeks contract. The band decided to sneak into Japex studios and steal its master tapes, hid them from Japex records’ management so as to allow Majek Fashek to release his debut: “We wanted Majek to honor his contract with Tabansi records.” In May 1988, Tabansi records released what would be the biggest selling reggae album in Nigeria’s music history: PRISONER OF CONSCIENCE. It immediately rocketed Majek Fahek into instant superstardom.

The hit single, Send down the Rain was majestic. Majek Fashek, the brand, became the greatest on-demand product, compared only to our petroleum export… It was during these times that the personality began to evolve. Fame sometimes changes personalities, characters and behaviors. Majek was no different. Majek allegedly became an arrogant revolution. The once clean choir boy with a guitar and innocence allegedly turned into a famous beast with brutal force and demon, performing raunchy sexually explicit nonsense on stage and in public. Members of his immediate family allegedly surrounded him with fetish spiritual guidance and guardian, to protect this sudden explosion and money-making family messiah. Majek was enjoying the limelight. He was willing and able to find any that came to seek him and easily welcome all to his entourage.

The groupies increased daily and his behaviors and public tantrums were beginning to change. Majek was also experimenting with marijuana and alcohol. Majeks family also allegedly introduced him to occultism within these periods. After the release of his 1st album, he allegedly began experimenting with Sat Guru Maharaji spiritual sect, Hari Krishna religion and was exposed to the seven books of Moses.

Family sources alleged that his late mother would take him to the cemetery to worship the dead at midnight hours and make sacrifices. He was allegedly mixing voodoos with occultism, wrapped in spiritual mysticism. Though Amos McCroy would neither confirm nor deny these alleged observations by family sources he however provided additional insights to the beginnings of a troubled soul: “This happened immediately after the release of my first album: we were returning from rehearsals, riding in his car; one of the female companions asked me what was happening to my record sales: She said my album was not making waves as Majek’s, Mandators, Kimono etc: Majek quickly interrupted her and said:“ don’t mind Amos; he doesn’t want to ask me the road that leads to stardom. He thinks it’s a good record that makes one a star. I then slapped his head and asked him which road he passed.

He told me in our Bini dialect that “this is not the Majek you knew and grew up with o!. I did not take him seriously…until December 1998 when we went for a concert in Cote D’Ivoire. I was determined to check his excesses. I hung around him to watch his excessive use of alcohol throughout our concert period. Between 2 and 2.30 a.m while we were watching movies together, he looked at me and said, rather solemnly:”Amos I envy you”. I was shocked by the statement. After a lot of probing he started telling me how his mother and elder brother took him to Cemetery in Benin City past midnight and they buried my record, that was the reason my record did not sell.. When he said he envied me I asked him why?. He said I had peace and comfort and that I may never understand…..probing him further he then began what to me was a confession. I refuse to tell everything to this day because that’s my cousin, my family and despite these I love him”.

Majek Fashek embraced fame and was rotten by the attention and unsolicited affection it brought along. Through these passages, he began to pay less attention to Jah Stix band. He became distanced from the Reggae Ital band, focusing mainly on the success of his debut album: fast and furious lifestyle and the ovations. He was also searching for everlasting peace and comfort through religion, a true covenant with his soul and God. He became a “man of sorrow in search of my tomorrow…”

Majek’s alleged carelessness and lack of respect, recognition and appreciation for Jah Stix deepened; the remaining personalities began to seek different directions with their lives and their music. Jah Stix slowly fragmented into nonentity, barely surviving. A once-promising and hot Reggae Ital shredded by the success of its frontman. Black O Rize adds: “The mission of Jah Stix Reggae Ital was more than one person in the band. If my guys had followed the vision projected in the earlier formative years, everyone would have had a lasting bond. Majek cannot feel free because of ego and lack of sharing a conscience. Majek couldn’t look George in the eyes for abandoning him because of fame and America. I still feel sorry for Majek.

In 1989 I predicted his family was going to ruin him and that America was going to be a make or break thing for him. When he wanted to travel on his first U.S tour, he dropped two original members of the band: Amos and George. He said I could go with him if I wanted to. But I don’t sell out. I was already an EU citizen, so I didn’t need Majek to succeed in life; we sacrificed the group’s album for PRISONER OF CONSCIENCE.

Why would he break us apart from this way? These guys were a bunch of talent that needed harnessing, In 1989 George and I went to Europe and the others went to US. The rest is history. Jah Stix Reggae Ital Band was the fertilizer and the manure that would have sustained Majek but he rejected the stones needed for the building and allowed sentiments and envy to creep into his heart, seeking the counsels of Lucifer..Amos became a rival instead of partner, George was deemed not smart enough. My problem with him was his problem with Ja’Stix; George and Amos. I left him that day in ’89 and we would not see again until 20 years later. I was very angry so I asked Amos and George to come with me to Europe just to show that ‘when the rain falls, it doesn’t fall on one man’s housetop’. I am happy we are all doing well individually, years later… I keep hoping and praying Majeks circumstance would change for best”….

Excerpts from my autobiography: MY SCATTERED LIFE. Stay tuned. Soon!

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Snoop Dogg continues to drag Tekashi69 as he names fellow rappers Cardi B and Jim Jones as members of the Bloods gang while testifying in court



Snoop Dogg has launched a fresh attack on rapper Tekashi6ix9ine after he implicated fellow rappers Cardi B and Jim Jones as members of the Bloods gang while testifying in a federal court.

Tekashi took a plea deal to cooperate with the feds and expose his gang members in exchange for a lesser sentence and he has been ratting out members of his gang since then.

This has angered more than a few rappers and they have been calling him a rat for ratting out his gang members and they even began calling him “Snitch9ine” for snitching.

He recently named Cardi B and Jim Jones as members of a gang and Snoop, who has been attacking him alongside 50 Cent, Meek Mill, and more, went in on him again.

The last time, Snoop referred to Tekashi as a rat. Now, he’s calling him a “racoon”, a portmanteau of the words “rat” and “goon”.

See below.

Snoop Dogg continues to drag Tekashi69 as he names fellow rappers Cardi B and Jim Jones as members of the Bloods gang while testifying in court
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